摘要
目前国内有一些叙事视点研究的论文，但针对网络小说的第三人称叙事视点研究任缺失。中国网络小说目前热度不减，并在国外大放异彩，成为了我国对外文化输出的主要部分。现今很多网络小说作者任然处于即兴创作阶段，没有系统化的理论指导，希望本文能对中国网络小说发展起一些指导意义。
关键词 全知视点；限知视点；内聚焦；外聚焦
目 录
目录····························································1
网络小说中的视点分类·····································1
网络小说中的叙述者·······································1
全知视点·················································2
（一）、非介入型全知视点·········································2
（二）、介入型全知视点···········································2
（三）、视点转换的连续性·········································3
四、限知视点····················································3
（一）、外聚焦视点···············································4
（二）、内聚焦视点···············································5
五、结语························································6
参考文献························································7
