摘要
鲁迅的作品，把绍兴的社会生活，山川风貌，风土人情原汁原味的呈现给读者。本文以鲁迅的《故乡》、《祝福》、《风波》、《孔乙己》等作品为对象，从服饰、饮食、风俗的角度探讨绍兴文化对鲁迅创作的影响。
不同的服饰代表不同的身份,以闰土、阿Q的乌毡帽为例，说明乌毡帽代指下层劳动人民。以赵七爷的长衫为例，说明长衫代表富裕的上层人士。饮食以绍兴的茶文化和酒文化为例，窥探茶与酒对绍兴人生活的重要性。所以，《药》以茶馆为背景，《孔乙己》以咸亨酒店为背景。风俗部分主要以批判的角度介绍绍兴地区的祝福、抢亲、守节习俗，以《祝福》中的祥林嫂为例，揭露封建文化对绍兴人尤其是妇女的戕害。
关键词 绍兴；鲁迅；服饰；饮食；风俗
目 录
摘要···············································Ⅰ
引言··············································· 1
一、服饰··········································· 2
（一）乌毡帽······································· 2
1.乌毡帽的由来及特点···············································2
2.乌毡帽的使用对象·················································2
（二）长衫··········································3
1.长衫的由来·······················································3
2.赵七爷的长衫·····················································3
3.孔乙己的长衫·····················································3
二、饮食············································4
（一）茶馆··········································4
1.茶馆的客人·······················································4
2.茶馆的主人·······················································4
（二）咸亨酒店······································4
1.现实中的咸亨酒店·················································5
2.孔乙己的原型·····················································5
（三）舆论空间······································5
三、风俗············································5
（一）祝福··········································5
1.何为祝福··························································5
2.祝福禁忌··························································5
（二）婚俗···········································6
1.养媳妇·····························································6
2.抢亲·······························································6
3.守节·······························································6
四、结语·············································7
参考文献·············································8
